Swatch It! Spring/Summer 2011
By Clara Parkes
Jackets offer a compelling yarn challenge. They usually combine bulk and tailoring in a far more structured way than, say, your average hat, scarf or even pullover. Hilary Smith Callis's Blue Daisy jacket is even more of a challenge because it blends a dense and firm daisy stitch in the front panels with a much more open, almost lace-like, little knot stitch over the rest of the jacket. Choose too heavy a yarn and those front panels will sag and pull the fabric in from the sides. Opt for too light of a yarn instead, and the panels will lack any structure at all.
The Fifty-Mile Fiber Diet
by Barbara Parry
For more than a decade the imperative to “go local” has redefined the way many households market and eat, buying what’s in season and supporting local farms in the process. As the locavore ethos increasingly reshapes the way we shop, growing numbers of knitters are beginning to view the yarn on their needles in a similar light. Is it possible to trace fiber from yarn to barn, and if so, just how far away is the barn in question?
By Fiona Ellis
Whether you call it lavender, lilac, mauve, orchid, violet, wine, eggplant, aubergine, plum, amethyst, heliotrope, magenta, mulberry, or periwinkle, purple, in all its many tints and tones, has a rich and colorful history.
By Sandi Rosner
“What size should I make?” Hardly a day goes by without some variation of this question popping up in the knitosphere. It’s understandable. We’ve all had the experience of investing time and money in a project only to end up with a sweater that’s too tight, loose or otherwise ill-fitting. Here’s how to make sure your next knit is just right.
Ask the Problem Ladies: Winter 2010
By Kay Gardiner and Ann Shayne
Another batch of good questions and good solutions from the Problem Ladies!
One Thing and the Other : The Knitted Buildings of Annette Streyl
By Lela Nargi
Hamburg, Germany-based Annette Streyl is a widely acclaimed visual artist whose architectural sculptures rely on two disparate and, some would argue, contradictory materials to give them form. One is stone; the other is yarn. The latter, Streyl has meticulously machine-knit into pliant, highly-recognizable buildings, accomplished on a spatially gratifying scale of 1:100.