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Twist Collective Blog

Design Process: Mimico Vest

barbara_gregory

by Barbara Gregory

It has been almost two years since I started the process of creating this vest.

mimico_color2

 


Looking back to remember the process as it happened, I recalled that in a folder of pictures saved for inspiration was this design from Toronto fashion label Smythe. Notice how what would normally be the neckband has expanded to become a yoke.

smythe_vest



I remember making a sketch of the vest I wanted to design — I didn’t have this image in front of me, but there is no doubt that it had lodged in my subconscious mind. I borrowed the neckline construction which gave me a fresh, modern shape to fill with my own patterns.

Having chosen five colors that I wanted to use in this garment, I began experimenting to find a pattern that suited the values and contrasts of my colors. This image shows some of the variations that were tried and rejected before I settled on the final version. The colors shown here were the original colorway. I also knitted the vest in an alternate colorway to give knitters a sense of how they might change the colors, and the second colorway eventually became the featured one.

mimico_swatches



For the yoke I wanted another pattern to contrast and harmonize with the body pattern. There was a plaid-like edging I had devised and swatched for another design only to find that it didn’t suit that project. When I remembered and fished out that old swatch, my design came together with an almost audible click.

Now, almost two years later, I have a footnote to add to my memories of this design process. A comment that I had left on a knitter’s blog won me a prize, and the prize was an Amazon gift certificate. I remembered a book I had borrowed from the library a couple of years ago, and decided it would be the one I would buy. When Dress In Detail From Around the World arrived the other day it was all very familiar but I hadn’t seen it for a while, so it was with real surprise that I saw and remembered this: a French fisherman’s waistcoat from around 1820.

fishermans_waistcoat

waistcoat_detail



Ignore the buttons and the pockets. Doesn’t that patterned yoke construction look a little bit familiar? No doubt I had this lodged in my subconscious mind as well. Inspiration, sketching, trial and error, swatching — this is how it all came together.

mimico_vest

 

Click for Twist

Julia here.


One week to go before we release the Winter 09 issue, and I know some of you are checking in to see if maybe there might be a glimpse of what's to come.  Facebook Fans have had a little taste, as have newsletter subscribers (Don't get the newsletter?  Sign up in the box on the left, we promise to never sell or share your information anyone), but of course, nothing is more fun than the full reveal which will be a week from today, November 15.

In the meantime, I have a little request, and to entice you to read through this post, I'm willing to give you more little tastes, like this:


swatch 1


Part of how Twist Collective survives is through advertising, and we are grateful to our supporters who line up every issue to be a part of our site.  Advertising is a gambling business, and advertisers make bets on placing their business, and they bet on us and what we are.  The internet has transformed expectations for some advertisers through the click. Here's what I mean by that: Advertising can be ambient, like a billboard or a television commercial, just sort of there in the background hoping to worm its way into your consciousness. Or it can be direct, like a coupon or a 1-800 number, asking you for an interaction.  Internet advertising is both.  While my own experience in advertising taught me that clicks aren't the only way to gauge a successful ad, some of our advertisers like to have feedback from their placements in our magazine. So here's the favor I would like to ask.


swatch 2


If you enjoy the magazine, please consider picking an advertiser or two out of our pages, and giving them a visit.  Click on their ad, wander around their site and admire the place a little.  If you ever buy something from one of our advertisers, tell them you appreciate their support of Twist.  Or if you're buying yarn for a Twist project from anyone at all, tell the shop what you're buying it for. Use that little comment box that shows up on the payment page.


Thanks for reading. 

swatch 3



Design Process: Cottage Garden

 

cherylburke

by Cheryl Burke

graciously cross-posted with her blog, Yarnbee


Last fall I moved into a cottage on a historic turkey farm in western Massachusetts. The cottage is a Sears kit house from 1919 that was delivered on the local train. For the gardener in me, it was love at first sight as I saw the rambling flowerbeds and beautiful wisteria vine trailing up the side of the cottage. Other bonuses included a beautiful kitchen garden and the resident pet pig next door named Pinky.

 

cottage_montage



At the same time I was exploring the work of a group of New England artists from the 1950s called the Folly Cove Designers. Led by Virginia Lee Burton (who wrote and illustrated many children’s books including Mike Mulligan and his steam shovel) this group made incredible designs that were hand-block-printed on fabric. Here's the wikipedia entry on their history.

I was drawn to the fact that many of their designs described daily life in New England. It got me thinking about a vintage-inspired colorwork sweater that would speak to my story of falling in love with a little cottage garden. I started sketching a yoke design that was bursting with joyful flowers.

cheryl_sketch1



Cottage Garden was originally submitted to the Summer issue and I was thrilled when Kate asked if we could add longer sleeves and move the design to the Fall issue.

 

cheryl_sketch2

 

I had a lot of fun exploring color options for Cottage Garden but settled on one of my favorite combinations: teal and chartreuse (swatch knit in Reynolds Whiskey)

 

 

cheryl_swatch



The best part has been seeing how other knitters have made Cottage Garden their own. Look at these beautiful versions!

Kelly's Cottage Garden:

cheryl_kelly



Momo's Cottage Garden:

cheryl_momo



Tanya's Cottage Garden:



cheryl_tanya

 


What stories can your knitting tell?

Many thanks to Kelly, Momo and Tanya for the photos.

Design Process: Audrey in Unst

 

gudrun_johnson

by Gudrun Johnson

 

Audrey In Unst had been percolating in my mind for a wee while before I submitted it to Twist. After seeing that one of the themes would be vintage inspired I figured this would be a nice fit. 

 

audrey_sketch

 

 


I was definitely going for the fitted, slightly cropped look of an Audrey Hepburn era cardigan, hence the naming of the design.

I wanted a very simple bib of lace and swatched with a lace of Shetland origin, from the island of Unst. I didn’t want an ornate looking lace, so I went with this particular one as it is easy to work and has an almost crochet look to it.
(Original swatch done in Classic Elite’s Soft Linen yarn).

 

 

audrey_swatch



The swatch I submitted to Twist only showed one half of the bib and it didn’t quite enter my mind at that point that the other side would need to mirror the same slant that this particular lace pattern creates. Kate checked in to make sure this would be achievable, I swatched some more and made the necessary alterations to the lace pattern, and breathed a sigh of relief when it worked!

 

audrey3

 

 

I chose to work this seamlessly from the bottom up in order that the lace be viewed from the correct orientation, otherwise it could have been worked top down. I felt that Audrey also needed some deep ribbing at the sleeves and cuffs and decided a twisted rib would give nice stitch definition in an otherwise mostly stockinette background.

 

audrey2


This was my first seamless set-in sleeve design, having done raglans and round yokes before. It was very satisfying watching that sleeve cap grow out of the short rows and create its lovely neat turning-points around the armhole. I’m now a huge fan of this method!

 

audrey4


As is always the case when a new design comes out, it is witnessing the interpretations of other knitters that is the most rewarding part. There are lots of beautiful finished Audreys out there showing off the cardigan’s wonderful versatility.
Here is a small selection from around the globe……Scotland, France and California!

 

 

audrey5

 

 


Maybe I’ll even see a windswept Audrey in Shetland one day! Thanks to Hilary, Mel, Sarah, and Inga for letting me use their photos.

Twist Out & About: Stitches

Julia here.

Hard on the heels of Rhinebeck, I found myself able to go with friends to Stitches East, the biggest retail show in the business right in my own backyard (practically) in Hartford, CT. Once there, I quickly happened across Stephanie of Handknit Heroes and Allison of The Knit Princess sharing a booth.



knit_comics



I purchased a kit for a superhero mask from Stephanie, hoping that I might have enough time to get this knit by Hallowe'en. I mean Hallowe'en, 2010.  You can get one too on her website.



knit_mask



Neato, huh? 


The rest of my Friday in the big market was spent reeling from one fantastic booth to the next, admiring the goods of local (WEBS) and not-so-local retailers (Modern Yarn), yarn manufacturers (Kollage), indie dyers (Ivy Brambles), and handmade yarns by the spinners of Indie Spun, all while renewing my acquisitive interest in things like a complete set of dpns from Signature Needle Arts, a Boye electic ball winder from Yarn Bazaar (helloooo Santa),


boye electric winder



and actually buying two of these goodies for knitters on my own Christmas list, Knit-out boxes from Lantern Moon that I had originally seen at TNNA.



knit-out_box




I also got to knit on The Big Sock. I look a little demented in this photo, but it is an action shot, after all.  I mean, that knitter is moooving.



thebigsock


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