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Twist Collective Blog

Tidbits Remote: Things Seen and Noted

Handmade Font has a new typeface called Thread Red for sale.  You won't be seeing this in the pages of Twist Collective, but I thought it was fun enough to share.

 


Twist Collective Now on Facebook

Hey you social networking site addicts (and you know who you are), now Twist Collective is on Facebook!

 

 

 

Come drop by, sign the guest book, and help spread the word among your long lost high school buddies.  

Stitch House Fashion Show ReCap

It's been a litlte over a week since Annissa and all her terrific staff hosted the Twist Collective Fashion Show at the Stitch House in Dorcester, Massachusetts.  Annissa really knows how to create a little drama in her darling shop.  Look at that stage. When a shop owner is willing to drill holes in her ceiling for you, ya gotta know you're in good hands.  

 

 

 

The knitters who came out that day of inclement weather were also a cordial bunch. No surprise there. A few of them had never seen the magazine before, so that was a treat for me too, to spread the word a little.  There were some familiar faces too like Guido, and Michelle and Kimberly who both wrote detailed posts on their blogs (with pictures) about their fashion show experiences. Check them out! 

 

 

 

Everything was well organized and ready to go which always makes for a good party. There were print outs of suggested shop yarns for the various projects, comfy chairs, gift bags, and door prizes. There was also food, mingling, coffee, and lots of photos taken for the shop blog.  Did I mention how cute the Stitch House is?  

 

 

Annissa has a comprehensive selection of yarns, and a lot of things I just don't see everywhere else, so my knitter's heart was full that day. She also nutures a sewing contingent which she feeds with Amy Butler fabrics. I hope to get back there if only for that before too long.  Don't forget to check out the Stitch House shop blog for photos of the actual show, and for other things going on. Many thanks to everyone who came out, the fabulous models, and to Annissa for her hospitality.

Stay tuned for details about an upcoming trunk show in Rochester, New York on February 9th.

A New Pattern from Twist Collective

Subscribers to the newsletter found a little surprise in their email this morning.  Late last night, we announced the release of a new pattern from Marnie MacLean, Bijou.  (Not a subscriber yet?  You can sign up in the left hand margin of this very page.)

 

 

We love this sweater for its stash-busting potential (it's a DK and a lace weight held together for the body, then just the lace weight for the yoke, so colour matching isn't a big deal), and we love it for the many ways it could be worn, depending on your colour choice and sleeve length: short, bright, and flirty or long, dark, and sultry, and so many other versions in between.

 

 

 

Visit Bijou in the Sunday Afternoon section of the magazine, or go right to the shop page, then plan your social calendar accordingly. Happy knitting!

Design Process: The Story of Stormsvale

by Robin Melanson

When I design, mostly the ideas just sort of just pop into my head, nearly fully-formed as I go about minding my own business. It can be as simple as reading a line of a poem — then shazaam! Sweater! I enjoy drawing, so sometimes I will sketch out several different options before I decide which one it will become, but I have a weird secretive paranoia about showing sketches to anyone before they are accepted (you know—so they don’t get the jinx on them). I like to look through my old sketchbooks to rediscover ideas I had forgotten about, I doodle mindlessly a lot, and sometimes I don’t know what it is supposed to be until much later—but until then, it doesn’t see the light of day. Like a secret cave of ideas. However, Stormsvale was one of the lightning-strike ideas; I knew exactly what it was going to be when I thought of it.

 

 

 

 

When I was putting together colour combinations for Stormsvale, I thought it was really great that I actually had a lot of input in the colour choices, which is not always the case when working with a magazine. Sometimes your palette is etched in stone (with someone else’s chisel), or you must tailor your ideal choice to fit the available colours in a given yarn. When choosing yarns for colourwork, it’s a luxury to use a yarn that comes inat least fifty colours, though I understand that yarns with large ranges can be a stockist’s nightmare.

I kind of like it when I have some parameters for choosing colours, because otherwise the colour wank could go on and on for eternity. For example, 3-Ply Strikkegarn comes in seventy-five colours. I would like to use five colours. The number of possible permutations of five colours from a set of seventy-five is 2,071,126,800. 

nPk = n!/(n-k)!

where is the number of colours, and k is the number of slots you have available. That is over 2 billion choices, as long as I am not picky about what colour goes where. However, I am picky, and we know that not all of the colours will work together. Some smarty-pants mathematician could probably tell me how many useable combinations there could be if I divided up the colours into value groups and made up some kind of rule set, like no mixing pastels with safety-orange, or no white and off-white together. I know of someone who could eat an equation like that for breakfast. However, I spent a good deal of math class at Tim Horton’s (the donut chain store in Canada) — where, if you could pick two doughnuts out of a field of fifteen flavours, you would have 210 possible choices (actually that would be 105 combinations, because I consider Boston cream + honey cruller to be the same as honey cruller + Boston cream).

 

 

 

 

With yarn (as with doughnuts) everyone has their favourite flavours. So I narrowed my choice of 2,071,126,800 combinations down to about six (I am indeed very picky) and then I thought about it a while longer, and added five more, parameters being:

1. Main Colour does not equal red—because although I adore red and variations thereof, red was already assigned.

2. Will look good photographed on a New England shore.

3. Good combination for winter.

4. Pleasing to Kate.

5. Pleasing to me.

Below are the last five. Actually, I lie—there are thirteen here if you count the various options. We went with number four (eleven?). I tend to favour strong colour combinations, and deeper tones. And I love a good gunmetal grey. And alliterative verse. And I managed to sneak in some red anyhow.  The numbers refer to the Strikkegarn colour cards which you can see here.

1.

MC: 1387 Dk. Steel Grey
A: 141 Red Violet
B: 128 Cranberry Red
C: 124 Bright Red
D: 150 Old Gold
OR the inverse of this (with the Old Gold at the outer edges and the RedViolet in the centre)

2.

MC: 1387 Dk. Steel Grey
A: 146 Gold
B: 160 Orange Gold
C: 124 Bright Red
D:  141 Red Violet OR 173 Deep Magenta OR 33/66 Deep Aqua Blue OR 138 Med. Grey Blue

 

3.

MC:  8/60 Very Dk. Olive Green
A: 7/61 Olive Green
B: 150 Old Gold
C: 120 Lt. Yellow
D: 140 Old Rose OR 7/71 Dk. Rose


4.

MC: 1387 Dk. Steel Grey
A: 33/66 Deep Aqua Blue
B: 138 Med. Grey Blue
C:  1287 Steel Grey
D: 144 Berry Red OR 173 Deep Magenta OR 174 Red

5.

MC:  133 Deep Brown
A: 127 Dk Rust Red
B: 181 Cinnamon
C: 146 Gold
D: 120 Lt. Yellow OR 43/61 Tan

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