Receive HTML?

Joomla Extensions powered by Joobi


Please fill out the information below to subscribe to our newsletter.
First Name
Last Name
Email Address*

Every Friday we feature one of the garments from the magazine in a post about styling. We suggest different ways to wear the garment in question using mock-ups from Polyvore. We encourage readers to tell us what they think about these outfits via our Facebook page or Twitter, and if folks want to make their own outfits, please tweet them at us with the hashtag #twiststyle. You can find all of the Style Friday posts here.


 Happy Friday everyone!! 


I may be finally understanding the logic of neutrals. More than once this week I slept a little later than planned, and had to get dressed and ready super fast. It was my new years resolution at the start of 2012 that I would always give myself an hour between waking and leaving home (exceptions for brunch), and mostly I've kept that promise to myself, but February gets to me sometimes and I just want to be in my bed as long as possible!! Anyways, my strategy was to grab all of the things that were black and/or white, put on a single dangly earring, and red lipstick. I looked cute, but most importantly I looked like I got dressed on purpose, with the lights on, and like it didn't take less than three minutes. Win! 


You probably know that I like my fashion just a little weird. Interesting combinations of texture or pattern or color totally speak to me. That's why I can't stop looking at Siffleur. I'm used to seeing sweaters that are mostly plain, with colorwork at the yoke, or sweaters with allover cabling, or plain sweaters with cabled yokes. Siffleur has a cabled yoke and a colorwork body and it's a bit like two different sweaters mashed themselves together and it's amazing. The golden horizontal line might be my favorite detail, but you have lots of them to choose from. 



Siffleur, sweater with dark purple cabled yoke, and purple and white patterned body and sleeves. modeled by a petite brunette woman standing outside in an autumnal forest



Now I've made it sound like a frankensweater, but it's actually gorgeous. I love the colors of the original, but I would also really love to see it in charcoal and crimson, or pale grey and yellow (think about a slice of lemon meringue pie), or a version in tonal blues or greens! Also, made in super squishy merino (that stuff is like knitting with marshmallows) you will want this on your body forever. 



Siffleur from the backmodel sitting on a rock



Siffleur works perfectly as a casual top, but I think she can also keep up with the fancy ladies. The set below is dedicated to mixing metallics. 



three outfits, all with silver and gold accessories. 



How will you wear Siffleur


Headshot of designer Renee Callahan

Today's post comes to us from Renee Callahan, designer of the lovely Hyssop pullover. I was immediately stoked on this sweater, and picked it first to start styling this issue! You can also find this post on Renee's blog, here. This is her first Twist project, and gosh, it sure is a pretty one. Enjoy! 





I am so excited to have been included in the Winter 2014 issue of the Twist Collective.  I have long admired the publication and the designs featured have often gone straight to the top of the queue.  So when I started taking this designing thing seriously, I was super keen to submit a design to them. Imagine my surprise when they actually accepted my design–my head nearly exploded the pride!



Hyssop, mauve v neck pullover with allover lace and cables, modeled by an asian woman standing among trees, with yellow leaves on the ground and on the branches



Twist Collective sent me a lovely Polwarth wool and silk mix yarn from Lisa Souza to make the sample with – the stitch definition was really beautiful and I loved the gentle variegation of the color.




Hyssop from the frontsame sweater from the back



My idea was to create a seamless pullover that required no finishing -- when the final stitches were cast off, the garment was practically ready to wear. No need to pick up stitches for neck trims, or add ribbing; it was all to be part of the design.

My prototype sweater is still one of my favorites.



designer wearing her prototype, which is cobalt blue



I knit it out of some really beautiful Blue Sky Alpaca’s Suri Merino, which has turned out to be a fairly robust yarn for a single ply.



back view of prototype



It is a recipe I really like in a sweater–fitted, with a flattering deep V-neck, a combo of simple cables and simple eyelets, and a built in finish. The recipe is so great, in fact, that I am working on a few more sweaters with variations of these ingredients for publishing in 2015 (which I can’t believe is already here!).

You can buy Hyssop here.

Thanks so much to Kate and Sue and the whole Twist Collective team for all their help and support.

Happy Knitting!


Every Friday we feature one of the garments from the magazine in a post about styling. We suggest different ways to wear the garment in question using mock-ups from Polyvore. We encourage readers to tell us what they think about these outfits via our Facebook page or Twitter, and if folks want to make their own outfits, please tweet them at us with the hashtag #twiststyle. You can find all of the Style Friday posts here.



Today is a good day, friends. My dear friend Eroca has been staying with me and my housemates for a little while, waiting for her visa to come through so she can embark on a round of artistically driven (and grant funded!) travel. It's been a bit of a debacle, but as of this morning she has both a passport and a Brazilian visa. Right now what I want to tell you about is Eroca's amazing style. She approaches dressing the same way she approaches knitting- conceptually. She once knitted a over a mile of scarf to use as a projection screen. In 2014 she only wore unisuits every day. Literally every single day she wore a jumpsuit, bathing suit, overall, coverall, romper, or other sort of top + bottom clothing item. 


I can be an outrageous dresser. I will admit to wearing leopard print every day this week, and purchasing a pair of shiny gold jeans yesterday. I even took a selfie of my shiny gold butt and posted it on Instagram.  But even I cannot bring the level of performance and deliberateness to my clothing the way this lady does. 


We can all agree, however, that this sweater is awesome. Look. 



Nevyn, a grey cabled cardigan that closes with a zipper, modeled outdoors by a brunette woman in red pants and glasses.



It's a basic enough cardigan that you can wear it with pretty much anything, especially in a neutral color like this. The stunning part of this one is actually the back. The cable section is super pretty, but also gives the top a little bit of an hourglassy shape. Check it. 



Same sweater from the back, has a diamond shaped cable medallion at the center back



I think Kate's styling is pretty perfect (like usual), but I like my outfits a little... well... sillier. If my clothes make my smile, that starts my day off pretty well. Below you will see a lot of things with spikes, because spikes are fun. I love slightly aggressive accessories (aggressories?). Lately I have been wearing a lot of rings, enough to make my hands feel heavy. It's great. 



three outfits with sweater open (over dresses)



I will admit that these outfits were partially influenced by this extremely strange and amusing webcomic. You should probably click that link (you're welcome). 




two outfits with the sweater zipped closed



That last one on the right is totally an Eroca outfit (since the year of the unisuit ended, anyways). 


How will you wear Nevyn

Every Friday we feature one of the garments from the magazine in a post about styling. We suggest different ways to wear the garment in question using mock-ups from Polyvore. We encourage readers to tell us what they think about these outfits via our Facebook page or Twitter, and if folks want to make their own outfits, please tweet them at us with the hashtag #twiststyle. You can find all of the Style Friday posts here.


Hi everyone. It's Marnie, here, filling in for Carly. It's rainy here in Oregon. If you know the US Pacific NW, that won't come as much of a shock. Our winters are generally rainy with a chance of downpour. With all the gray skies, bare trees and rain, I'm itching for some color, so when Carly asked me to take the reins, I was immediately drawn to Julie Blauw's Radius.



Radius by Julie Blauwradius detail



Check out those extra-long sleeves with thumb holes and the pockets. You're sure to stay toasty on those days that aren't quite cold enough for a jacket but are still a bit brisk. I think the gray and red are a perfect combo but with just a dark, light and contrast color needed, you can really customize this for your own wardrobe. How about brown, beige and green for an autumnal feel? Or black white and yellow for a stark modern look? There are a near infinite number of combinations and I'm really looking forward to seeing all the variations knitters make.



So how would I style this? The skinny jeans and red boots are pretty perfect, and here in Oregon, it'd blend right in. I don't know that I'll improve on Kate's styling but I think there are definitely some equally fun options.


radius times three


My first thought, which is always my first thought, was plaid. I love it and not just because my last name is Scottish. Picking up the lines of the sweater motif, the skirt in the middle has a pretty pleated tulip shape. Throw on some tights (teddy bear tights, no less) and some plaid heels and you have a pretty fun outfit. Ok, the tights might be over-the-top but opaque black or even red tights would work just as well. On the right, I wanted to play more with color. Red Doc Martins and cyan jeans and scarf make the whole outfit a riot of color, that still feels cohesive. On the left, I toned things way down and tried to imagine an outfit that could work at the office. Boots and a knee-length gray wool skirt are office appropriate and accessories like bags and hair clips can bring just a little more color into the whole outfit.




But you know what this sweater really makes me think of? The motorcycle I got right after I met my now-husband, Leo. When Leo and I met, we were working together and another woman in the office always called him, Lorenzo. She was the sweetest woman but could never get his name right. When I got the bike, it inherited Leo's alter-ego's name. Lorenzo was a beautiful red Ducati Monster 750. My Radius outfit inspired by Lorenzo should never, ever, actually be worn to drive a motorcycle. Get yourself some good sturdy boots, protective leather, use your turn signal and watch the road, but in fantasy world, stilettos and leather leggings are totally fine. Be careful you don't cause an accident with your gorgeousness.


So what do you think? Can you work Radius into your wardrobe?


Headshot of designer Fiona Ellis

Fiona Ellis's lovely piece in our newest issue is Parapet, a clever cardigan with some really lovely details. You can find out more about her inspiration and also see a short post about button choice on Fiona's blog, here. Fiona has designed *lots* of lovely things that have graced our pages, but this one, this one, and this one are a couple of my faves. You can also find a version of this post on SweetGeorgia Yarns blog, here. 






For more years that I care to admit to I have taken photos of items that inspire me, even before digital cameras made it so easy and inexpensive to do so.  One of the wonderful things about having an archive of these shots is that over time I have been able to categorize the types of image that appeal to me most. I mean if you could only see how many photos I have of magnolia flowers (documented each year it seems).



steps to a castle



So one day when I was making a sub set of my photos I was struck by how often I am drawn to stair step type patterns. For somebody who loves asymmetry so much it makes me smile to notice how it’s the even & mostly equal repetition of the line that delights me. Although I do like photos of them taken off center.



steps around a brick column



We often refer to the way we try to avoid the stair- step look that the knitting produces. So these types of patterns are a “no-brainer” because they work with the very nature of the knitted stitch.



Montreal spiral staircasesame staircase, different angle



But how do you keep the beauty of the repetition with it becoming boring and static?  One way is to set them on the diagonal where the lines become a zig-zag. This gives them a dynamic active feel, something that I think of as being almost somewhat masculine in feel, especially when compared to how soft undulating lines produce a gentle feminine over all look.



Parapet, purple cardigan with zigzag stitch pattern on yoke and sleeves, modeled by a brunette girl standing in front of a wood stove in a red room



In my most recent design work I have tried to include techniques that we tend to find used more with woven fabric than with knit fabric. What I call dressmaker details; pleats, buttoned cuffs etc. So for Parapet I thought it would be fun to juxtapose the strong dynamic lines of a zig-zag pattern with soft gathers.



closeup of Parapet sweater from the back, showing detail of stitch pattern and gathers below the yoke line



The gathers in the back give a fullness that leads to the slight swing shape, combined with the stand-up collar (also borrow from woven fabric constructions) it makes it feel more like a softly tailored jacket than a cardigan. The tiny gathers at the crown of the sleeve also give fullness to the cap while keeping the sleeve slim throughout the arm. The overall silhouette was drawn from empire line gowns that were fashionable at the turn of the 19th century -a style that I love. If you were to ask me why I based Parapet on this style I would probably have to confess that it’s probably because of watching too many films based on Jane Austen books…especially if Colin Firth happens to be in them. Cough. Ahem. Cough.



detail shot of yoke and collar



For this project I got to work with yarn from one of my favorite yarnmakers, SweetGeorgia. Cable patterns by their very nature produce really interesting effects of light and shade. The combination of the different textures means that light bounces off the fabric differently in each area and highlights the three dimensional aspect of the stitches. Similarly the talented dyers that I have worked with which includes SweetGeorgia Yarns also produce enticing effects of pale & dark within their yarns. So I found when I combined these yarns with my cables that these yarns it added an extra dimension of visual texture to the patterning that produced an even more beautiful effect. I fell in love. Working with these yarns have produced some of the patterns that I am most proud of (check out Ruddington, Granville, and Breckenridge). I think this is because when working in collaboration with another artist the combination of each of our talents has the ability to produce something really special.